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Chapter:  INT  |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  9  |  10  |  11  |  12  |  13


 

ELEMENTS OF MUSIC

 


 

STUDY GUIDES:   TEST 1   |   TEST 2   |   TEST 3
 



 

STUDY GUIDE TO TEST TWO

WHAT YOU NEED TO KNOW

See the study guide for how to study.


IMPORTANT!!!

Always play the game before taking any test.

 PLAY A GAME!
Who Wants to Get an A?

 

 

 MUSIC:

 

Types of Music: p 120-121

 

Concerto - a musical composition for an instrumental soloist and orchestra.

 

Fugue - a musical composition that starts with an unaccompanied melody or theme, and weaves that theme throughout the composition in different layers and voices.

 

Mass – sacred choral composition.

 

Cantata – A choral work with one or more soloists and an ensemble.

 

The basic elements of music are: sound, rhythm, melody, harmony, tonality, and texture.

 

Pitch, dynamics, timbre, and duration are all properties of sound.

 

Timbre or tone color - a sound’s distinct quality.            

 

Beat, meter, and tempo are all elements of rhythm.

 

Melody - a succession of notes.

 

Harmony - multiple notes played at once.

 

Close, thick, or tight texture - when notes are played close together.

 

Open or thin texture – when notes are played far apart.

 

Consonant – pleasing sounds

 

Dissonant – unpleasing sounds

 

 

OPERA: p129

 

Grand opera - is serious and tragic.

 

Opera comique - has spoken dialogue.

 

Opera buffa - is comic opera.   

 

Overture - orchestral introduction.

 

 


 

 

THEATRE
 

A plot consists of the exposition, complication, and dénouement

 

Protagonist - the main character.

 

 

Be Able to Label the Stage Types:

 

 

PROSCENIUM THRUST ARENA

 


Verisimilitude – a play that is realistic, and tells a story as it could have happened.


 


 


CINEMA: p155


The movie camera flashes a series of still frame images onto the movie screen at a rate of 24 frames per second. The retina retains the image for 1/10th of a second after it disappears – creating the illusion of movement. The book attributed this theory to Ptolemy; it’s called persistence of vision.

 

Form cut - a scene that cuts to an image of a similar shape.

 

Montage – cut from one scene to another to associate ideas.

 

Camera Angles and Views:

 

Long shot – at a distance.

Full shot – person just fits in the frame.

Medium shot – from the knees or waist up.

Close up – face / Extreme close up – an eye.

Overhear – looking straight down

High – angled down

Eye level

Low – from below

Oblique – slanted

 

Objective viewpoint – nobodies’ perspective

Unreal objective viewpoint – nonhuman or nonexistent perspective

Subjective viewpoint – somebody’s perspective

 

Dissolve - when one scene fades in, and another scene fades out.

 

Cinéma vérité - a documentary technique of holding the camera by hand, and using outdoor light.

 

 


 

 

DANCE

 

The Choreographer is the person who composes the dance.

 

BALLET

 

Ballet is classical, conventional, formal, ridged, with rules.

All ballet movements stem from 5 positions – 1-5th position (p 170)


Plie - Bending the knees and squatting in any of the five positions. The book says only in first position, but that's wrong.

 

Mime and Pantomime (p174)
 

Mime: imitating people or animals. 

Pantomime: Acting out without words.

 

 MODERN DANCE:
 

Anti: ballet, tradition, and rules. It’s free, uninhibited, natural, spontaneous movement. It’s abstract, incorporates the floor, barefoot, and the mise-en-scene tends to be simple. 

 
 

WORLD CONCERT / RITUAL DANCE

 

The dance of other cultures is world dance, ritual dance, ethnic dance, or traditional dance. Ritual based dance has ceremonial meaning.

 


FOLK DANCE:

 

1. Traditional dance, music, and costumes – not original
2. Danced by common people (folk) – not aristocrats

3. It’s a social event that is about customs and camaraderie. 

 

 


 

 

LITERATURE– (P181)

 

The point of view is the perspective from which the story is told. There are three:
 

1.      First Person Singular – told from a character’s point of view

2.      Third Person - has two types:

a.       Singular – from a character that isn’t in the story.

b.      Omniscient – from all the characters’ perspective, or no characters’ perspective.

 

 

Epistolary – a novel told through letters.

 

POETRY: (P186)
 

SOME TYPES OF POETRY

LYRIC
A short poem that is sung.

 

HAIKU - A three lined Japanese poem.

 
Five Syllables
Seven Syllables
Five Syllables


):(

A still watered pond
A rock that sits by the brook
A mind without thought

 

NARRATIVE POEMS

Poems that tell a story.



CONCRETE POEMS

Poems that arrange their words to create a picture. See example:

http://eckovision.files.wordpress.com/2009/03/conspiracy-headache-photo5.jpg 

 

FREE VERSE POETRY:

Modern poetry that is free form like Jazz. It has no ridged structure, does not necessarily rhyme, sounds conversational, and improvisational. 


 

IMPORTANT CONCEPTS

 

POET - the author of a poem.

SPEAKER - the “narrator” of a poem
 

IMAGERY - Reading can cause sense perceptions like sights, sounds, tastes, tactile sensations, and smells.
 

METAPHOR

A direct comparison of two unlike things:

Juliet is the Sun, and I am moon.

 

SIMILE - A comparison of two things using “like, as, or resembles.”

Juliet is like the Sun, and I resemble the moon.

          She’s like a maze where all the walls continually change. – Daughters by John Mayer

 

ONOMATOPOEIA

Words that imitate the sounds they describe. 

Examples: Buzz , oink, meow, roar, zip, and zap.

 

PERSONIFICATION

Giving anthropomorphic (human) qualities to an animal or inanimate object.



FORM - the appearance of the words on the page


LINE -  a line of the poem


STANZA - a paragraph or group of lines

 

 

 

Line:

As I was sitting in my chair,

end

 

Line:

I knew the bottom wasn't there,

rhyme

Stanza

Line:

Nor legs nor back, but I just sat,

 

 

Line:

Ignoring little things like that.

 

 

 

STANZA TYPES (extra credit)

 

Couplet            -           2 lines

Triplet              -           3 lines

Quatrain           -           4 lines

Quintet             -           5 lines

Sestet               -           6 lines

Septet              -           7 lines

Octave             -           8 lines

 

 

STRUCTURE – P194

 

Lines with the same: number of words, syllables, accents, rhyme etc.

 

 

SOUND STRUCTURE

 

            Four Types:

1.      Rhyme – words that sound alike.

2.      Alliteration – repeating the initial consonant sound: Peter Piper picked a peck of pickled peppers.

  

FOOT – a pattern of stressed (strong) and unstressed (weak) syllables.  

 

TYPES OF FEET (extra credit)

Trochaic - stressed, unstressed

Dactylic - stressed, unstressed, unstressed

Iambic  - unstressed, stressed

Anapestic - unstressed, unstressed, stressed

 

 

METER - A repeating pattern of stressed and unstressed syllables on a line.

 

TYPES OF METER (extra credit)

Monometer      -           1 foot per line

Dimeter            -           2 feet

Trimeter           -           3 feet

Tetrameter        -           4 feet

Pentameter       -           5 feet

Hexameter        -           6 feet

Heptameter      -           7 feet

Octometer        -           8 feet

 

RHYME - Words sound alike because they share the same ending vowels and consonants.

 

FLOWER

TOWER

 

END RHYME - words at the end of lines that rhyme.

 

"Shall I compare thee to a summer's day?

Thou art more lovely and more temperate:

Rough winds do shake the darling buds of May,

And summer's lease hath all too short a date".

 

- Shakespeare

 

 

INTERNAL RHYME

Words that rhyme inside a line.
 

Once upon a midnight dreary, while I pondered weak and weary.
From The Raven by Edgar Allan Poe

  

REFRAIN

A sound, word, phrase or line repeated regularly in a poem. For example President Obama’s speech: 'Yes, We Can Change'


Yes, we can. Yes, we can change. Yes, we can. … And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.”

Free Verse Poetry is modern poetry; it’s without inflexible identifiable patterns, and it’s conversational.

 

 

POINTS OF VIEW

Three Types:

1. First Person Singular – a character’s viewpoint
2. Third Person - two types:    
    a. Singular – a character not in the story.    
    b. Omniscient – from all the characters’ perspective, or no characters’ perspective.  

 

 

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