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Chapter:  INT  |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  9  |  10  |  11  |  12  |  13


 

Elements of Art  |  Principles of Art   Definitions

 



STUDY GUIDES:   TEST 1   |   TEST 2   |   TEST 3
 


 

 

STUDY GUIDE TO TEST ONE

WHAT YOU NEED TO KNOW

See the study guide for how to study.

 

IMPORTANT!!!

Always play the game before taking any test.
 

PLAY A GAME!
Who Wants to Get an A?


 

 

THE ELEMENTS OF ART
The elements of art are line, form or shape, color, texture, and space. Be prepared to identify these elements in a work of art. See the
Elements of Art.

 

Note: There are discrepancies in the book, and what others say are the elements of art. Space is usually considered an element of art. Unfortunately it’s not in the book. Space is the empty area around or in a work of art.  Some consider value a separate element, but the book is right to consider it a part of color. Dark colors have low value (shade); light colors have high value (tint). The book considers form and shape to be the same thing, but form is a 3-d object, and shape is a 2-d object. Also the book has mass as an element. Mass is the volume or density of objects or shapes. Most don’t include this, and it seems to me to really be a way of looking at art (principle of art).



THE PRINCIPLES OF ART

The principles of art are: rhythm, harmony, variety, balance, unity, emphasis, contrast, movement, and proportion. Be prepared to identify these principles in a work of art. See the Principles of Art.

 

DEFINITIONS

In addition to the definitions of the elements and principles of art you should know these concepts, and be able to apply them: painterly, perspective, plane, symmetry, chiaroscuro, cubism, lithography, Abstract Expressionism, and Giclée printing. See the Definitions of art.


Linear refers to:

a.       The use of line

b.      A type of perspective

c.       Opposite of painterly

d.      The use of 2-d materials in sculpture

 

Abstract Expressionism

Jackson Pollock - http://www.youtube.com/watch?v=0-raeJ0oAHI

 

PERSPECTIVE

The three kinds of perspective are: linear, atmospheric, and shifting.

 

PHOTOGRAPHY

Straight Photography and the Photo-Secessionist Group
Alfred Stieglitz
Ansel Adams
Cameraless Photography: Ran Ray's Rayograph, Anna Atkins' cyanotype.

 

 

CHAPTER 2 - SCULPTURE (page 72)

Three types of sculpture: full-round, relief, and linear.

 

The methods of executing sculpture are: subtraction, construction, substitution, and manipulation. Know what these are, and know what they mean.


Alexander Calder invented the mobile (kinetic) and wire (linear) sculpture. His sculptures are mostly kinetic. A kinetic sculpture incorporates movement.

 

CONTRAPPOSTO STANCE

A way of sculpting a human figure in a natural pose with the weight of one leg, the shoulder, and hips counterbalancing each other.

         Michelangelo's David

 

 

EPHEMERAL ART

Artists Christo and Jeanne-Claude

Know what ephemeral art is.

 

CHAPTER 3 - ARCHITECTURE (page 88)

 

Be able to identify all the structures on page 92: arcade, buttress, tunnel vault, groin vault, rib vault, and page 97 cantilever (See Fallingwaters by Frank Lloyd Wright p105).

 

KEY CONCEPTS AND DEFINITIONS

 

Be prepared to identify, and know these concepts: post-and-lintel, types of arches, buttress, arcade,  tunnel vault, groin vault, rib vault, dome, pendentive, cantilever, load-bearing wall, and skeleton frame.

 

 

CANTILEVER

 

Be able to identify Frank Lloyd Wright's Fallingwaters as an example of a cantilevered structure.

 

 

ARCHES

 

Be able to label these arches:

 

 

 

     

 

 

STONE

 

Know the different types of stone - and their properties. There are three types of rock: sedimentary, Metamorphic, and igneous. This is not in the book. See the website - chapter 3.

 

SYMMETRY AND REPETITION (p102)

 

Know, and be prepared to identify, the different types of symmetry: Radial, pantamerism, bilateral, asymmetric, 


 

PROPORTION
 

Leonardo Da Vinci: Study Of Proportion

Proportion is the principle of art concerned with the size of  objects in relationship to other objects. The drawing by Leonardo da Vinci shows the proportions of the human face.

 

 

 

 

 

 

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